In October 2004, filmmaker Olatunde Osunsanmi had wrapped principal photography on his thriller The Cavern and traveled to North Carolina for postproduction.  While there, a chance dinner conversation sparked an interest that would be the genesis of The Fourth Kind.

A colleague told him of a psychologist living in the Carolinas who relocated from a remote town along the Bering Sea.  In Alaska, she had conducted a sleep disorder study that revealed terrifying data.  What Osunsanmi heard fascinated him...all the more because it was heavily documented.  Through his contact, he tracked her down.  After some reluctance, she shared her story.

In Fall 2000, the therapist’s patients, under hypnosis, exhibited behaviors that suggested encounters with non humans.  Before sleep, every person recalled a white owl outside his or her window.  They woke up paralyzed, hearing horrific noises from beyond their doors just before an unknown assailant pulled them screaming from their rooms.  Subsequent memories went dark.

As the doctor investigated the phenomenon, she discovered a history of missing people and bizarre activity from the region, dating back to the 1960s.  The more she dug, the more she believed the unbelievable: Her patients’ stories were not false memories, but comprehensive evidence of alien abductions.

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