Ryan Sterritt's blog

Finch-What It Is To Burn Anniversary Tour Review

Ryan Sterritt — Fri, 25 Oct 2013 13:46:01 +0000

As a band, Finch haven't always had the most smooth of rides. They've released two albums in 11 years and have been on a number of hiatuses. This has upset many fans, but Finch has found a way to give back to their faithful audience: In celebration of 10 years (Technically it's 11, but I'm not going to complain), Finch announced a tour where they would perform their memorable, debut album, What It Is To Burn, from beginning to end. After a decade, one would worry that a band would lose some of the fun and talent that filled their earlier years. Could Finch live up to the hype created by their first album?

You know an album is memorable when you can remember when you first bought it. My Middle School crush was raving on and on about Finch and said she couldn't wait until she bought their new CD, What It Is To Burn. Being the hopeless romantic I am, I went out and bought the album from the Target by my parents' house and planned on giving it to her as a present in our Science class the next day. As for that night, the mystery was killing me: I had to listen to it. I unwrapped it (keyword: HOPELESS romantic) and threw it into my 8-disc changer radio. It was different. Screaming. Soaring vocals. Catchy melodies. It's not often that a band, in an individual album, can experiment so much while sticking to their own genre. Of course, with it being middle school, the crush and I never lasted. Yet, that album stuck with me. It was one of the first albums I truly loved and couldn't forget.

Given my love for this album, my expectations to see it performed live were very high but understandably cautious. Somehow, the original members who crafted such a great genre record were able to bring their famed record to life with fantastic results. Kicking things off with New Beginnings, lead vocalist Nate debunked any theory that his voice was no longer up to par from their 2002 debut. Too often do bands play shows and treat them solely as cash grabs. Watching these five men on stage performing, it becomes clear that they all love WIITB just as much as every fan in the audience. Through Letters To You all the way to the title track hit, Nate and his crew took everyone for a nostalgic trip back to 2002, when times were easier and albums were more crafted than overtly produced.

Sadly, it's not 100% realistic to expect every song to transfer flawlessly from stereo to stage. Project Mayhem replaces the majority of the drums with electronic drums and heavy synthesized beats. With no electronic drum set on stage, drummer Alex Pappas was forced to do the best he can with a normal set. It was a valiant effort, but it left Project Mayhem as the sore spot of the night's set.

But, one song out of 13 is a great track record and one any band would take on their best day. Finch may not be releasing material quite at the same level they used to, but hats off to them for being able to acknowledge their best work and celebrating it in a way that every fan can sing along with them. We may not get another album from Finch that is quite as great as What It Is To Burn, but at least we know the true spirit of this album is alive and well. Consider my ticket to the 20th (21st?) Anniversary purchased.

Read our interview with Finch's Randy Strohmeyer.

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Finch

Ryan's Top 15 Films of 2012

Ryan Sterritt — Mon, 31 Dec 2012 18:18:41 +0000

Well, another year has come and passed. We've seen a lot of theatrical reviews on this site by myself, Matt and even some from Jeremy and Maria. Some hated, some loved, movies have a big place in all of our hearts and 2012 had a lot to put on the table. Now, I still haven't seen some movies that I feel might affect this list (Zero Dark Thirty mainly) and some I feel my list better without (So long and thanks for all the nothing, Twilight), but this is the list of what I have seen and what stood out as some of my favorites. Let's begin with some 2011/2012 confusion:

Now, looking at their theatrical release date in most cities, I'd say both were definitely released in 2012, albeit a wider distribution in the first week of January. But, to avoid any confusion, I'll just mention them as some of my favorites from last year:

Tinker Tailor Soldier Spy

It's criminal how long it's been since I've seen Let The Right One In, so it's only fitting that I honor Tomas Alfredson with his latest work, Tinker Tailor Soldier Spy. Tinker pretty much redefined how I look at spy movies with this cold and powerful adaptation of the best selling novel.

Matt's Reviews: http://www.shakefire.com/reviews/theatrical/tinker-tailor-soldier-spy

The Artist

I spoke enough praise of this beauty when it was released, so I'll stick with what I stated in my review: This is why movies exist.

My Review: http://www.shakefire.com/reviews/theatrical/the-artist

_________________________________________________________________________________

Now, let's tackle the contenders:

15: Dark Knight Rises - Directed by Christopher Nolan

It actually pains me to place a Nolan movie so low on my list, but let's be honest with ourselves: This thing could have been a homerun. By no means am I bashing Dark Knight Rises, after all, it's on my list, but it's all a matter of how you view it. I've watched this Batman finale about eight times and each time, my opinion changes. But, I believe the most true opinion of something is based on first impression and my first impression of DKR was when I had the privilege of watching the entire trilogy in IMAX. Dark Knight Rises is a perfect end to an incredible trilogy by a masterful filmmaker. Do yourself a favor and watch a marathon of all three films. That is the moment that you'll realize how wonderful of an addition this was to the trilogy. If only it was edited as well as the other two...

Matt's Review: http://www.shakefire.com/reviews/theatrical/the-dark-knight-rises

14: Detention - Directed by Joseph Kahn

2012 is the year of batshit crazy films and a good kickstart into this mindset is Joseph Kahn's Detention. Imagine if Diablo Cody roofied The Breakfast Club and it hooked up with Scream: That's about as close to describing Detention as I can get. Detention is more fun than a handful of films released in any year and it's eccentric charisma keeps it on my blu-ray shelf. Also, time traveling bears help make any movie make my Top 15.

My Review: http://www.shakefire.com/reviews/theatrical/detention

13: The Imposter - Directed by Bart Layton

Talk about late additions. I was able to catch this crazy beast of a documentary last night On Demand and much to my pleasure, a documentary was actually going to be able to make my list. I'm always in the mood for a great documentary and The Imposter fits the bill. Unraveling the mystery behind a missing boy and his reappearance three years later, Layton lays it all on the table but knows when to hand out the shocks. Truly a wonderful movie with some insane twists.

12: Django Unchained - Directed by Quentin Tarantino

I've heard a lot of people discussing whether or not Django is Tarantino's best film over the past week and it's easy to see where the debate started. I won't comment on it's ranking with his previous entries just yet, but Tarantino has distributed another masterpiece of violence, smart writing and brilliant performances. Christoph Waltz cleans up the screen as Dr. Schultz in a role that gives Hans Landa (Inglorious Basterds) a run for Best Tarantino character. Also, DiCaprio finally playing the villain and Samuel L. Jackson essentially playing Uncle Rukus from The Boondocks? Well done, Quentin.

My review: http://www.shakefire.com/reviews/theatrical/django-unchained

11: Skyfall - Directed by Sam Mendes

Any director who can breathe life back into the series after the disappointing (yet nearly as bad as most claim) Quantum of Solace is one who might redefine the series altogether. This is exactly what Mendes did with Skyfall. Craig has never been better as Bond and he keeps the mindset of Bond being a man who can be broken without making an entire film about his vengeance. Javier Bardem channels his own adaptation of Hannibal Lecter as Skyfall's villain and becomes one of the best baddies Bond has fought. With some jaw dropping action sequences, Skyfall easily solidifies itself not only on my top 15 but as one of the best Bond films.

Matt's Review: http://www.shakefire.com/reviews/theatrical/skyfall

10: Prometheus - Directed by Ridley Scott

There's nothing better than watching a director return to their best genre and that's exactly what happened with Prometheus. Scott has taken his time directing some dramas and adventures such as Body of Lies and Robin Hood, but he decided to return to his sci-fi roots with Prometheus, a sort of prequel to the Alien franchise. Whether or not it leads into the Alien movies, Prometheus is a monster on it's own. The space jockeys have an inspired design, the sets look beautiful and the acting is for the most part dead on, especially Fassbender as the android David (The Lawrence of Arabia scene still stays with me as genius). There's a lot to love about Prometheus and I find something new with each viewing.

Jeremy's Review: http://www.shakefire.com/reviews/theatrical/prometheus

9: Lawless - Directed by John Hillcoat

When I screened Lawless back in August, I remember mentioning that it was great to know Oscar season is upon us. It seems that I was one of the only people who believed that to be true, yet my opinion stays. Lawless is one of those pictures where everyone on screen does their best performance. Hardy as the quiet and deadly Forrest is worth the admission enough, but then we get LeBeouf's great turn as Jack, the youngest Bondurant brother learning how to run the moonshine business, Gary Oldman as a gangster and Guy Pearce as the despicable Charlies Rakes who tracks down the Bondurants. Hillcoat has wonderful direction along with fantastic performances from all, making Lawless one hell of a flick.

My Review: http://www.shakefire.com/reviews/theatrical/lawless

8: Kill List - Directed by Ben Wheatley

Floored is the best word to use on how I felt as soon as the credits rolled on Wheatley's Kill List. It was the only thing I could talk about for a month and it's one that will stay with me for even longer. There's a large debate as to what the ending truly means, but I have my own theories. None the less, Kill List is a shocking piece that haunts me to this day.

7: Rise of the Guardians - Directed by Peter Ramsey

Dreamworks has it's ups and downs with making an animated picture that exceeds the stereotype of meeting low requirements of pleasing kids and ranks with How To Train Your Dragon as a spectacular animated film for adults as much for kids. The material would seem to be just for children, but Rise is some of the most fun I've had in theaters, especially in 3D. Shoutout to the great voice work done by Jude Law, Chris Pine, Alec Baldwin, Isla Fisher and Hugh Jackman.

Matt's Review: http://www.shakefire.com/reviews/theatrical/rise-of-the-guardians

6: Sinister - Directed by Scott Derickson

Horror movies have to do a lot to make a "Top" list for me and Sinister does it all. Blending realistic horror with mythical legends, Sinister creates some scenes that, to me, become instant classics (I.E Yardwork, Pool Party). Keep a light on, because Derickson knows how to absolute terrify you.

http://www.shakefire.com/reviews/theatrical/sinister

5: V/H/S - Directed by Ti West, Radio Silence, Joe Swanberg, Glen McQuaid, David Bruckner & Adam Wingard

Scariest film of 2012, hands down. Anyone who writes it off as found footage horror is doing just that; Writing it off. Horror movies exist to terrify and that's exactly what V/H/S does. Never have I seen a movie so raw and unforgiving as V/H/S and that's why it has made #5 on my list. Four views in and it still keeps me up at night.

4: Wreck-It Ralph - Directed Rich Moore

I'm a fan of animated movies, nostalgia and video games; Wreck-It Ralph's placement shouldn't come as a surprise to many people who know me. Voicework is great, graphics are beautiful and the references are plentiful and inspired. Wreck-It Ralph isn't just one of my favorites this year, it's the best animated movie of the year.

Matt's Review: http://www.shakefire.com/reviews/theatrical/wreck-it-ralph

3: Anna Karenina - Directed by Joe Wright

There's a lot that can go wrong with adapting one of the most well respected stories as Anna Karenina, let alone making a film on it that solely takes place in a theater. Even with all the doubts against him, Wright created something of true beauty. It is something that needs to be seen to be believed. The drama is real, the acting remarkable and the scenery taking every breath from the audience available. I didn't think Wright could top himself after the visceral Hanna. I was wrong.

My Review: http://www.shakefire.com/reviews/theatrical/anna-karenina

2: Looper - Directed by Rian Johnson

Johnson has created a distant but very believable future where poverty has struck almost all of Kansas, minus those who are part of the Looper business. Most directors throw their story into some world that has great potential to boost the film into classic status, but most take the easy way out (Wiseman's Total Recall) by leaving it in the background. Johnson, however, took a page out his fellow directors over at Breaking Bad by keeping Kansas City as a supporting character. Willis has never been better, Gordon Levitt shows off his acting chops and Emily Blunt stays beautiful in Johnson's sci-fi noir tale that does for Johnson what Memento did for Nolan.

My Review: http://www.shakefire.com/reviews/theatrical/looper

1: Chronicle - Directed by Josh Trank

11 months worth of other films to watch and surpass Chronicle and nothing could quite top it. Chronicle is the sign of a tremendously talented filmmaker and I can't wait to see what else Trank puts out. The character arc of Andrew Detmer is classic comic book stuff and Trank knows exactly how to put it to camera. It also helps that Chronicle boosts some of the best visual effects of the year. Too dark for most audiences, Chronicle is, to me, a perfect look at super heroes and what can happen to those affected by super powers.

My Review: http://www.shakefire.com/reviews/theatrical/chronicle

Thanks for everything, 2012. 2013 has some big shoes to fill.

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movies

Ryan

2012

Local Band Watchout: Tir Asleen

Ryan Sterritt — Wed, 05 Jan 2011 22:26:46 +0000

There are plenty of local bands on the scene that phone in their music, which causes most of the local music scene to sound eerily similar. Tir Asleen is not one of those bands. Tir Asleen are a five-piece outfit hailing from Calhoun, Georgia that have been playing almost everywhere possible in the past year, including Marietta and Summersville. As if constant touring weren’t enough, the 5 friends have released a 7 song EP titled “Running Strong”. Since then, they have reached out and allowed me to review their EP.

As for the genre of music that Tir Asleen plays, it’s hard to describe. Think a heavier At The Drive-In with a mix of chaos. Screaming vocals (courtesy of vocalist Jesse and guitarist Michael) overlap a string of chaotic melodies to create a post-hardcore track that most haven’t heard. “Running Strong” opens with “This Place Is Not Flat”, a minute-long track of spoken word with accompanying reverb. While feeling a bit out of place, it’s a fit welcome for the rest of the album. Without missing a beat, “This Place Is Mountains” kicks right in. The previous reverb is used now as melody and helps set the tone for the remaining tracks. This track ,along with “Castle Greyskull”, remain the best off of the EP. They capture the atmosphere and destruction that truly make Tir Asleen a stand-out group. Very few local bands are able to mix melody, chaos, screaming and structure as well as these guys do.

Although the remaining 4 tracks aren’t as memorable as the previous 3, the album contains moments of confidence that is rarely seen/heard in most EP’s. In the ongoing future of Tir Asleen, I look forward to the band maintaining and improving their sense of confidence in who exactly they are and what their music represents. And if I knew how/could psychically do so, I'd find their nearest show, drive down to the venue and Crab-walk. (http://www.youtube.com/watch?v=RP3hS8P_etQ&feature=related)

“Running Strong” is available now through the band. Tir Asleen will be playing Summerville, Ga on January 12^th and will have copies of their EP available for purchase. Make sure to catch them and keep an eye on this impressive group of gentlemen.

http://www.myspace.com/tirasleenband.

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Upcoming Rock Concerts in Atlanta: 12/1-12/7

Ryan Sterritt — Thu, 02 Dec 2010 03:57:45 +0000

To fully pump life back into this blog and see it become more active than ever, I'm starting up a tradition. Every wednesday, I will update my Music Blog here with upcoming Rock concerts in/around Atlanta, Ga. I'll include a myspace/music link for you to check out their music and decide whether you'd like to pay this concert and support your music scene! Let's begin!:

12/01:

Joe Satriani

Center Stage Theatre

8pm $42.50

http://www.myspace.com/joesatriani

12/02:

EOTO w/ Polish Ambassador

The Masquerade-Heaven

8pm $15

http://www.myspace.com/eotomusic

Astronautalis

The Masquerade-Hell

7pm $8

http://www.myspace.com/astronautalis

12/03

Papadosio w/ EP3

The Masquerade-Hell

8pm $8

http://www.myspace.com/papadosio

Jonathon Coulton w/ Paul and Storm

Variety Playhouse

8:30pm $22.50

http://www.myspace.com/jonathancoulton

12/04

Carolina Chocolate Drops w/ The Low Anthem

Variety Playhouse

8pm $16

http://www.myspace.com/carolinachocolatedrops

Back N Black-AC/DC Tribute

Wild Bills

9:30pm $50

http://www.myspace.com/acdccovers

12/05

Usher w/ Trey Songz

Phillips Arena

7pm $29.50-$129

http://www.myspace.com/usher

Relient K (Acoustic)

The Masquerade-Heaven

7:30pm $18

http://www.myspace.com/relientk

12/06

The Misfits w/ El Caminos and American Lesion

The Masquerade-Heaven

7pm $20

http://www.myspace.com/themisfits

12/07

The 99x Mistle Toe Jam feat: Switchfoot w/ American Bang and Paper Tongues

Center Stage

8pm $19.79

http://www.myspace.com/switchfoot

Honestly, you may find me at the 99x Mistle Toe Jam. I haven't the slightest who the hell American Bang are, but Switchfoots' new album, Hello Hurricane, is fantastic and Paper Tongues are a promising new band on the rise. Think The Police meets Anberlin with some attitude. If I can make it, I'll be there. Otherwise, there's some solid shows for everyone to check out. Relient K is always a winner (although it IS an acoustic show) and Usher should be humorous.

Check back next week when I cover the rest of Atlantas' concerts!

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Terrible Things 10/5

Ryan Sterritt — Tue, 26 Oct 2010 04:43:37 +0000

It's been a long time since I've seen Fred Mascherino (Vocals, Guitar) in person. I followed him a lot while he performed with Taking Back Sunday and then continued to support him as he released his semi-solo project, The Color Fred. And now, Fred is back. And he brought some friends.

These friends are in the form of Andy Jackson (Vocals, Guitar, ex-Hot Rod Circuit) and Josh Eppard (Vocals, Drums, ex-Coheed and Cambria). Together, they are Terrible Things. No, that wasn't an insult. That's the name of this group of artists. And in no way is it symbolic of their sound.

Before their concert, I listened to a few tracks of their new self-titled album. The sound of Terrible Things' isn't easily summed up. A few tracks feature pop-punk hooks with Rise Against-esque vocals. While others contain harder tracks than we're used to hearing from Mr. Mascherino (Definitely in no way a disappointment). Regardless of the track you select, Terrible Things bring qualities from all of their past collaborations as band members. The intensity of Coheed & Cambria, the structure of Hot Rod Circuit and the addictive melodies of Color Fred and Taking Back Sunday.

On October 5th, Terrible Things stopped by The VInyl (Which shares the same venue with Center Stage & The Loft) while on tour with Windsor Drive and headlining act, Mae. This tour, "Goodbye, Goodnight Tour", is actually the final tour for the original members of Mae. I spoke with Fred prior to the show and we discussed everything from Taking Back Sunday and The Color Fred to the tragic fires that took most of his hometown. After following Fred since Where You Want To Be, TBS' first album with him in the ineup, it was a dream to meet him and have a half hour discussion about his life and career.

Once the show hit the halfway mark, Terrible Things took the stage. Amidst a crowd of increasingly-impatient Mae followers were fans who stormed the front of the crowd while Fred, Andy and Josh grabbed their instruments. Don't get me wrong, the entire crowd was friendly and very receptive of the band and their sound. But the fans who have already heard their self-titled album were upfront shouting the lyrics to almost every song. "Conspiracy" is one of the stand out tracks that got a number of faces smiling and nodding their heads. Despite a repetitive chorus, the verse brings something that stands as a rock opera act cut dramatically short. Other tracks to watch out for are "Up At Night" and Wrap Me Up".

With the intensity all 3 artists bring, it's almost impossible to not sing along at times. Pop-punk, rock, alternative and sometimes even some pop: Terrible Things definitely brings an interesting and satisfying sound to fans of prior bands and unaware newcomers.

Make sure to pick up their self-titled album on iTunes or at your nearest music store!

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Jason Reeves "Helium Hearts Tour" September 21st

Ryan Sterritt — Mon, 04 Oct 2010 05:46:25 +0000

On September 21st, Eddie's Attic let in a crowd of native Atlantans. All for a number of reasons: Some came for the great food. Some came for the alcohol and laid-back atmosphere. But everyone shared one reason for entering Eddie's Attic that night: Jason Reeves was taking the stage.

Jason Reeves is a 26 year old guitarist and song-writer who has been touring the nation since August on his "Helium Hearts Tour" with supporting act Joe Brooks. He may be an unfamiliar name to some of you, but you've heard of Jason Reeves whether you know or not. Reeves has collaborated with artists such as Kara DioGuardi and even co-wrote songs with Colbie Caillat including "Bubbly".

I had the great pleasure of meeting Reeves before he took the stage that night and we spoke a lot on inspirations and why he actually writes music (Interview is to follow this entry). Jason credits himself as a self-proclaimed Gypsy who just goes where his music takes him, sleeps where he can and spreads his songs to those who will listen. That night in Atlanta, there was an "attic" full of residents ready for a certain gypsy to share his music. And share he did.

After opening act, Joe Brooks, took the stage, Jason was prepping the stage for his performance. Even though I'd credit his performance as acoustic, an acoustic guitar wasn't the only instrument on stage. Nor was Jason the only performer. Also on the stage was a drummer, a keyboardist and another guitarist. The sound was a little harder than most would consider "acoustic" but still felt as intimate as the other prior acoustic performances of the night. Jason played some songs off of his new unreleased album "Helium Hearts" along with songs from his previous albums "The Nervous Minds of Love", "The Magnificent Adventures of Heartache (And Other Frightening Tales...)" and "Makeshift Aircraft".

The crowd was incredibly silent during his performance. Mostly due to the fact that Eddie's Attic has a strict No-Talking-During-A-Performance rule, but also because every audience member was paying attention the amount of love and heartbreak Reeves gives off during his live performance. Songs of love found and love lost set the mood as Reeves laid out his most personal moments in his life on stage. And that's even without mentioning his incredibly smooth vocals and talents as a guitarist.

As a venue, Eddie's Attic was the perfect location for this tour. With a location in the heart of Atlanta, Eddie's Attic provides great food, quality alcohol for decent prices and a laid back atmosphere for all to enjoy the performances they came to see. And for all you smokers out there, have no fear: the venue has a patio out back for all to take a smoke break between acts. Some audience members even admitted to me that they have never heard of Reeves. In fact, their group of friends meets at E.A once a week for the food and music atmosphere. Fun fact, John Mayer was discovered at Eddie's Attic a few years ago. Proof enough that Reeves is heading in the right direction, right?

Jason Reeves is a fantastic guitarist, a stellar vocalist and a man who knows where he's been. Question is, where is he going? Wherever it is, America will soon know the name Jason Reeves as he travels throughout the states.

Stay tuned for my interview with the man himself!

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The English Beat 8/25

Ryan Sterritt — Mon, 30 Aug 2010 05:14:27 +0000

Now, I'm only 21 years of age. So, asking me about a band called "The English Beat" is like asking your five-year old about Milli Vanilli. (In no way am I comparing musical capabilities, just a reference.) The English Beat (or as they are known overseas, The Beat) have been in the music scene since 1978. Between their formation and eventual break-up in 1983, the band released three albums with more than 4 singles. With original vocalist, Dave Wakeling, fronting the band's reunion, The English Beat is storming North America and teaching the world the joys of Ska.

Opening the show was a band called Bad Manners. This 9-piece 2 tone ska band got the energy going and most of that was thanks to the frontman, Buster Bloodvessel's, crazy antics. Buster definitely brought the fun side of music out by wearing his camo suit and forcing the crowd to jump along to their songs. I haven't heard of Bad Manners before either, but that didn't stop me from enjoying their energetic live show. If you have never heard of this crazy-fun band, try checking out songs like "Special Brew" and "Lip Up Fatty".

Separating energetic ska band from energetic ska band was acoustic performer Chris Murray. Now don't get me wrong, there's nothing wrong with acoustic acts. But the mellow sound just really weighed down the energy of the night. Especially since Chris was placed between Bad Manners and The English Beat. If he had been given the opening time slot, the show would have flowed incredibly well. Minus the flow of the show, Chris Murray isn't a bad performer. Just a little boring. All of his songs supported a large "We Are One" style of lyrics. Murray's performance isn't one that wouldn't be found far from a equal rights protest.

Knowing that this wasn't the first reunion that The English Beat has embarked on, I wasn't sure how the turn-out would be at Atlanta's own, Variety Playhouse. This was put to rest once the lights went down for the final time that night. Once Wakeling and crew took the stage, bodies flew to the stage like moths to a flame. The audience came with many different varieties: Everywhere from 60 year old fans to 13 year olds who just wanted to skank around (Skanking is the universal dance symbolic to Ska music). Regardless of age of the audience, everyone had a blast listening to old favorites, ranging from "Mirror In The Bathroom", "Save It For Later" and a Smokey Robinson cover of "Tears of a Clown".

Fan of ska, rock or just fun, make sure you check out The English Beat, a great live performance with more than a few hits to get your inner-ska side to show itself on the dance floor.

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Warped Tour: Pierce The Veil interview

Ryan Sterritt — Fri, 20 Aug 2010 05:06:52 +0000

While at Warped Tour, I had the distinct pleasure of meeting and getting to interview the two members of Pierce The Veil. Half the fun of this interview was due to the fact that I had recently reviewed their new album right here on Shakefire! I was able to hang out with guitarist Tony Perry and bassist Jaime Preciado. The following, is our tale:

Shakefire: New album! What do you think has changed with you guys since then?

Jaime Preciado: I think, musically we've tried making a record that was obviously progressing and getting better. And yeah, I would say musically we all stepped up, as for as our instruments and stuff. Getting better at what we do. Also making a record that was fun to play.

Tony Perry: Jaime and I weren't actually on the first record so this is the first time the four of us worked together. There's a lot more heavy elements and faster things that they brought back from their experience and we brought in from our experience in our hardcore bands. So, lots of new styles and interesting stuff.

SF: The cool thing about it is, and I'm not a huge listener of hardcore, locals mostly, your new album sounds very meticulous. There's different time changes, sounds like you're throwing more genres in, rather than just hardcore.

J.P: Yeah, I think with this record, as far as genres go, we really opened so the heavier stuff got heavier and the softer stuff got softer. Just kinda opened it more to a broader scale.

T.P: We wanted to make sure we never just threw in a breakdown just for the sake of having it there. Like, it had to be a part that actually felt right.

J.P: We had a lot of fun making this record and we're glad it turned out the way it did.

SF: With the new album, do you think this is something you guys would want to continue this sound or do you want to build off it?

J.P: I think we're always going to be trying to push ourselves in every aspect of writing and playing and even in shows too, like everything we want to get is something different, something better.

T.P: We definitely don't want any record to sound the same. Never want to write the same record. You know, make sure it progresses.

J.P: I love it when bands do that. Progressively get better and change in a good way.

SF: How do you feel about sharing the stage with so many different bands?

T.P: We definitely had a alot of shows where we played right before, right after some really heavy bands. We did a tour with Bring Me The Horizon (also on warped) or bands like that. But it's always...some how we've always managed to hold our own and still have fans there who want to see us. A lot of bands have trouble playing against heavier bands than we have.

J.P: We'll be singing 90% of the time and we'll play with bands who are screaming the whole time, so it's kinda like.."Uh-oh. We're gonna get beat up" but it ends up working.

SF: To be honest, listening to the album, I heard plenty of vocal parts that weren't screaming.

J.P: Definitely tons and tons of layers and things. The producer, Mike Green, wanted to make sure that this record was never picken apart the first listen. Even after 7 or 8 times, you were still finding new things you didn't hear before that.

SF: What bands are you enjoying the idea of waking up and seeing play every day?

T.P: So many bands I'm stoked to see.

J.P: I like our friend's bands. I Like watching Bring Me [The Horizon] and stuff. Those guys always put on their own show. Their kids are always completely ready to punch somebody in the face.

T.P: Parkway Drive is pretty awesome to see.

J.P: Just from bands like Mayday Parade and Emarosa to Of Mice & Men. Just tons of bands that you just..you now when we have time, we kinda go out there and hang out and stuff.

SF: What do you think is next for Pierce The Veil?

J.P: Down Under! (Australian accent)

T.P: Yeah, we're going to Australia next.

J.P: Take Action Tour with a band called Attack! Attack! down in Australia and then we go down to Japan. *Bows down*

SF: Is this the first international tour for you guys?

J.P: Yeah, it'll be..well we've been to the U.K and Mexico and stuff but this is the first time we've been to Australian fans. And After that we'll come back and do a tour in the states. Yeah, we're booked and we're stoked. I'm stoked to pet a kangaroo.

SF: If there's one thing that you think should be said to everyone who comes to Warped Tour, what do you think it is?

J.P: Go pick up our new record, "Selfish Machines".

T.P: Go buy the record. *laughs*

J.P: Go buy the record and yeah, come hang.

T.P: A little sunscreen never hurt anybody.

J.P: A little sunscreen keeps the doctor away..doesn't really make sense.

T.P: They'll get it.

Make sure you guys go out and buy their new album, "Selfish Machines". And make sure to look out for their U.S dates to come soon!

www.myspace.com/piercetheveil

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The Maine (In Concert - 8/12)

Ryan Sterritt — Thu, 19 Aug 2010 21:23:49 +0000

Taking a breather from the Warped updates, I've decided to post my findings at a recent Atlanta concert. The setting? The Masquerade venue on the top floor, also known as Heaven. The weather was confused. Sunny, yet clouds decided to drop rain at random. The culprits? 5 men from Arizona that go by one name: The Maine.

Did you like that 1920's-style detective talk? Yeah, I didn't either.

The opening band was called This Century: 4 friends also from Arizona. Their sound was pretty typical. Pop-rock with sappy lyrics. I mean, let's be honest, they had a song called "To Love and Back". Air Supply should sue since it sounds like their long-last album name. They had a song at the end of their set that was more tolerable, but nothing that would inspire me to look up the band..except..to find out they were..from Arizona..for this blog..

But, I guess they set up the mood for the rest of the show with poppy guitars and love-inspired lyrics.

The next band up to bat was the headliner, The Maine. However, a member of the band came out and said they had a few friends who wanted to come out and play a few songs first. Thinking the friends were just kids who have their own local band, I wasn't too excited. But then again, who could of called two members of the pop-punk stars, Atlanta's own Cartel. Lead singer Will Pugh and one of the two guitarists came out and performed two songs acoustically for the audience. It was a treat that no one expected. These guys are the ones to watch after. They exploded with their first album, Chroma, only to make albums that were just a little under expectation. Not that they were bad, because they definitely were not. Just nothing that could live up to their breakthrough debut album.

Anyways, as soon as they left the stage, The Maine was up next. Flags were set up (all of them had large black M's on them), stereos were revealed and the crowd was anxious. Once the lights went down, a serial killer must have stabbed a girl or something because I've never heard screaming that loud before..Oh, they were excited because the lead singer came out without a shirt on? Oh, that's a better reasoning. Well still, the screaming and jumping was a bit overboard. To each his own, I suppose.

Moving on. I've heard of The Maine before and even have seen them live before. Granted, it was in passing during a large festival in New Jersey, called Bamboozle. But it was quick enough of a view for me to know what they looked like, what they sounded like and how they acted on stage. I have to pick at this, the band has changed a little bit. For the best or worst, is hard to determine. They have completely changed their look, now dressing in mostly black and jeans. Trying to portray a tougher image, I guess. Their mannerisms have shifted from getting the crowd pumped up to simply acting like their presence was enough for them. Always a turn-off for musicians watching another band perform. And their music..funny, it hasn't really changed at all. Which is relieving. But surprising at the same time. Same upbeat songs about overcoming love and celebrating it. If you haven't heard their new album, "Black & White", make sure to download it for some pretty good pop-rock songs.

You know, ultimately it was a good show. The opener could have been a more entertaining choice, but a solid opener. Cartel was a very, VERY pleasant surprise and added a huge amount of fun to the show. And The Maine has changed a bit from who they were a year ago, but maybe it's for the best. I mean, if I had the lead singer's body type, I guess I would do the same. Er..I mean...alcohol! Football! Yay!

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Warped Tour 7/26

Ryan Sterritt — Thu, 19 Aug 2010 04:22:11 +0000

Alright, so long overdue, but with other concerts and all of life's other enjoyments (Translation: Stress), I am finally here to discuss Warped Tour! Now, if you've never heard of Warped Tour, let me get a few things out in the open:

-Warped Tour is a summer-long tour featuring the biggest names in punk, pop-punk, alternative, metal and even hip-hop that has been running on it's 16th year!

-6 plus stages are set up to ensure every band on the bill has time to play!

-Almost every date of the Warped Tour is an entire day-long concert that usually requires a stadium-size parking lot for the venue. In fact, most of the venues are stadium theaters that have the concert-goers taking up the parking lot, as this is where the majority of the stages are set up.

-Some of the bigger names that have graced Warped Tour: My Chemical Romance, Fall Out Boy, All-American Rejects, Limp Bizkit and, no I'm not joking, Kid Rock.

Now that the introduction is out of the way, let's talk about THIS year's Warped experience:

This isn't my first Warped Tour experience, mind you. I've attended Warped 3 times before this! The fun thing about Warped Tour is that you can hang out with friends, travel stage to stage, watch your favorite bands or just find new ones that you've never heard of. Half the fun of this tour is the experience. The bands are usually great performers, but the majority of the venue actually looks like a carnival with all the buses, tents and boothes set up. And man, do those tents rule. Almost any and everything is available at these tents. Clothes, drinks, food, C.D's, DVD's, purses, free condoms (yep) and even temporary tattoo's for The Expendables.

Aside from the tents and attractions, the music stages are the true reason for attending Warped. Some incredibly talented bands played this year: Every Time I Die, Reel Big Fish, Alkaline Trio, Sum 41, Four Year Strong and many many more. If you ever find one band you aren't exactly getting into, you can walk 100 feet to the left and find a completely different genre of music being performed. Warped is truly the easiest experience to find the music you enjoy.

One warning for those already looking for tickets, it's a summer tour so don't expect to see it anywhere until next July. But don't worry, Warped is notorious for announcing bands a few months in advance. And more than occasionally, the bands are fairly big names. Now since this a summer tour, one other thing attending these tours other than music and fun is the heat. Ohhhh man, the heat. Make sure to bring an entire tub of sun block because you will absolutely need it. And never forget that water is a rocker's best friend! Many Warped fans have fainted and had stroked due to the sun and dehydration. These shows don't have roofs, so always be prepared for the most intense heat and/or rain. In my case, Atlanta found the worst of both. You know, the whole show was absolutely worth it.

Finally, to get you familiar with one of the artists on the tour, watch my interview with Andrew W.K, the master of the "party":

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