Crime-fiction megastar Connelly can always be counted on to try something a little different. In The Reversal (2010), his last Mickey Haller novel, starring the L.A. lawyer who prefers to work out of his Lincoln Town Car, Connelly offered a tour de force of plotting on multiple levels. Here, he narrows the focus considerably, concentrating almost exclusively on what happens inside the courtroom but bringing to the traditional give-and-take of prosecutor, defender, judge, and jury an altogether more complex commingling of personality and legal strategy than is typically on view in legal thrillers. He accomplishes this with a particularly rich first-person narration in which Haller takes us through the courtroom drama as it happens, noting his blunders and praising himself for quick-thinking improvisations. It doesn't hurt, either, that the plot is meaty: a woman whom Haller was representing in a suit against the bank attempting to foreclose on her mortgage is accused of killing the bank official in charge of foreclosures. Combining ripped-from-the-headlines information on the mortgage crisis with a cast of characters that defies stereotypes at every turn of the plot, Connelly shows once again that he will never simply ride the wave of past success. And, neither, apparently, will Mickey Haller, as he reveals a shocking change of direction in the novel's final pages.